Brand | SAUDI TELECOM COMPANY |
Product/Service | SAWA PRE-PAID |
Entrant | J. WALTER THOMPSON RIYADH, SAUDI ARABIA |
Category | Direction |
Idea Creation
|
J. WALTER THOMPSON RIYADH, SAUDI ARABIA
|
Production
|
DEJAVU Dubai, UNITED ARAB EMIRATES
|
Brief Explanation
Do not reference your company. Do not comment on the brief/challenges/success of the film.
Many people of modern society don’t see eye-to-eye with millennials (who are our target audience) on their excessive online behavior. In documentary-style films portraying bizarre human behavior and using a sarcastic tone, we analyze the patterns of popular online personalities: YOLO,FOMO, Foodie and Selfie-lovers. We subject the people behind these hashtags to a form of scientific research and reflect on their behavior throughout history only to conclude that the same behavior is still very much in existence, but has been modified by modern civilization and incorporated into the use of devices and online habits. This subsequently creates a fixed action pattern and a revolution in science.
The films end on a note that offer consolation to millennials in that their behaviors are forces of nature and have the opportunity to be fueled by our prepaid packages.
Execution
The vision and achievement of the direction.The jury will think about the translation of the
creative brief through a director’s vision and how well that vision has been achieved.This
will include the way that production elements(including casting, set design, sound design
and cinematography)have been used to bring that vision to life.
We took a nonlinear approach in conveying the evolution of human behavior in a fresh and interesting way.The overall direction is portrayed through a retrospective lens.
We created the structure of a science lab to bring together the feeling of a social experiment through different eras to display the persistence of human behavior through the subjects behind the hashtags. This was executed through costume and set design, starting from ancient civilization until this very day, alluding to viewers that this documentary-film spans over centuries.
The lighting,colors and overall mood included in the cinematography are
Credits
Chafic Haddad |
J. Walter Thompson |
Chief Creative Operations Officer |
Rayyan Aoun |
J. Walter Thompson |
Executive Creative Director |
Hessa Al Sudairy |
J. Walter Thompson |
Creative Director |
Jean Elazar |
J. Walter Thompson |
Senior Art Director |
Maher Kaidbey |
J. Walter Thompson |
Senior TV Producer |
Jude Al-Saati |
J. Walter Thompson |
TV Producer |
Jad Haddad |
J. Walter Thompson |
Associate Business Director |
Maan Gelidan |
J. Walter Thompson |
Senior Account Manager |
Ahmed Alsahhaf |
Saudi Telecom Company |
GM of Marketing Communication – Consumer Business Unit |
Faisal Alsaad |
Saudi Telecom Company |
Traditional Media Director |
Manasvi Gosalia |
Dejavu |
Executive Producer |
Björn-Axel Sjöblad |
Dejavu |
Director |
Steven Gerges |
Dejavu |
Producer |
Christ Yachouh |
Dejavu |
Production Manager |
Daniel Lindholm |
Dejavu |
Director Of Photography |
Deimes Kabalan |
Dejavu |
Production Designer |
Ola Achkar |
Dejavu |
Wardrobe Stylist |
Kaan Acemi |
Dejavu |
Line Producer |
Hessa Al Sudairy |
J. Walter Thompson |
Creative Director |