2020/2021 Winners & Shortlists

THE CLASS OF NO TOMORROW

Short List
BrandUNICEF
Product/ServiceSAFE SCHOOLS DECLARATION
EntrantTRAFFIC DIGITAL Dubai, UNITED ARAB EMIRATES
CategoryUse of Ambient Media: Large Scale
Idea Creation TRAFFIC DIGITAL Dubai, UNITED ARAB EMIRATES
Idea Creation 2 UNICEF New York, USA
Media Placement IMOSION Dubai, UNITED ARAB EMIRATES
Media Placement 2 JCDECAUX SPAIN Madrid, SPAIN
Production FINELINE SOLUTIONS LIMITED Bristol, UNITED KINGDOM
Production 2 IMOSION Dubai, UNITED ARAB EMIRATES

Why is this work relevant for Brand Experience & Activation?

Airports are fast-paced environments where people are overloaded with flight information and advertising messages at every step. To make them stop, think and spread the word about an issue as serious as attacks on children’s education, we had to go beyond the one-sided conversation approach. We created an experiential idea that would stop passersby in their tracks, interact with the activation and help amplify the brand’s cause.

Background

Over 350 million children worldwide live in conflict zones today. Since 2014, armed conflicts attacked education in 87 countries leaving 1 in 3 children out of school. To help protect these children and their education, the Safe Schools Declaration was formed in 2015. However, as of May 2019, not even half of the world’s countries had committed to the declaration. [1] During the Third International Conference on Safe Schools at Palma De Mallorca, UNICEF wanted to launch an experiential stunt at the city’s airport that built awareness about the issue. [1] UNICEF, Education Under Attack, 2018

Describe the creative idea (20% of vote)

We created an ambient exhibition featuring three eye-catching sculptures. Although these sculptures resembled children affected by armed conflicts, there was a deeper tragedy behind them. They were built with wood from schools destroyed in conflict in Iraq, South Sudan and Ukraine. We supported the visual impact of these sculptures with informational touchpoints. This helped educate the audience about the children’s stories and the global crisis they symbolised.

Describe the strategy (20% of vote)

Our strategy was based on ensuring that while we created empathy for the children’s cause, we did not misrepresent or exploit the horrors they face.[1] The idea was carefully constructed to resonate the impact of armed conflicts on children and education but in a subtle manner. The experience narrated the children’s stories through a seamless, museum-like environment that let visitors explore the exhibition at their own pace. [1] Based on the learnings from the Radi-Aid Research Project

Describe the execution (30% of vote)

We first surveyed destroyed schools in South Sudan, Iraq and Ukraine. However, prevailing conflicts and militia in these areas made them hard to access. At the schools, we sourced wood from easels, desks and roof beams that were stripped and stacked into blocks. Next, we developed 3D models resembling the affected children. These were fed into state-of-the-art CNC machines that carved the sculptures, with final touches added by hand. The sculptures were launched at Palma De Mallorca Airport before the Third International Conference on Safe Schools and exhibited during that period. The exhibition area was designed with bullet holes, broken walls and a TV display disguised as a chalkboard. Together, it brought to life The Class of No Tomorrow. We also created an AR experience via Snapchat codes on flyers using original textures of the damaged wood. To complete the experience, we built a website expanding on the children’s stories.

List the results (30% of vote)

-20 Million impressions with Zero spend on Digital Media; -USD 1 Million in earned media; -52% engagement on AR snap codes; -4 new countries endorsed the Safe Schools Declaration within the first 3 weeks, including Gambia, Guatemala, Nicaragua and Equatorial Guinea; -10.5 Million children protected through these endorsements.

Credits

Name Company Role
Zaheen Bagasrawala Traffic Digital Copywriter
Jed Balatbat Imosion Creative Project Co-ordinator
Marine Cabana JC Decaux Spain International Sales Manager
Ross Davies Traffic Digital Creative Director
Louise Dunne Traffic Digital Account Manager
Islam Fahim Imosion Creative Creative Producer
Toby Fricker UNICEF Campaign Lead
Tuki Ghiassi Traffic Digital Executive Creative Director
Sarah Grower Fineline Model Maker
Emma Hutchman Imosion Creative Creative Producer
Sophia Kenvold Traffic Digital Regional Head of Marketing & Communications
Nicholas Ledner UNICEF Communications Lead
Samuel Milton Fineline Production Manager
Harry Richardson Fineline Model Maker
Jayesh Seth Traffic Digital Art Director
Dave Thompson Fineline Carpenter
Links
Supporting Webpage