2016 Winners & Shortlists

CRUNCH - LIVING ROOM

BrandNESTLÉ
Product/ServiceCRUNCH
EntrantJ. WALTER THOMPSON CAIRO, EGYPT
CategoryScript
Entrant Company J. WALTER THOMPSON CAIRO, EGYPT
Advertising Agency J. WALTER THOMPSON CAIRO, EGYPT
Production Company LIGHTHOUSE FILMS Cairo, EGYPT

The Campaign

Crunch had been in the Egyptian market for two years and still hadn’t managed to breakthrough. The brand’s entire being was seemingly lost in translation, as consumers weren’t even sure what Crunch was. Sweet or savory? A chip or a biscuit? The answer was actually quite simple. The problem was, people weren’t accustomed to a sweet snack fitting Crunch’s description. Our campaign was built around the creation of an imaginary product we called “Skinchizer”. Skinchizer’s identity was plotted and designed to be the opposite of Crunch’s product attributes. The generic traditional snack vs. the new and unconventional one. A conversation surrounding the two products took place between the two generations each snack was made to represent: Skinchizer for the know-it-all parent and Crunch for the misunderstood teen. In an instant, Crunch flipped from being a brand facing an identity crisis threatened by discontinuation to a brand in hot demand; in streets and on screens. Welcome to the age of Crunch.

Creative Execution

Is that Schenshizer, Taha? what a taste! -Crunch Schenshizer, i know it used to get it as little kids melon flavored -Chocolate used to come in a yellow box, a box about this big that's yellow -Blue pack there was a duck with a cat head on it -Shark you can only find it in old Heliopolis! From the Gulf, we used to get it from the gulf -kiosk under the house it used to ooze out this lemon burst makes you wanna chew, gnaw on it, gnaw on it now - Uhhhhh,no. they used it to pump us in the army isn't that right, Atef? yeah man, this generation missed it all, I swear. -what are you even saying it was for a penny used to get it for 10 piasters - A pound and sometimes, you used to get 10 piasters back so basically I got it for free, pal! -Uhhhhh,no. had a pentagon shape that kneads into brackets stretches into this smooth curve -Triangles used to be elastic, slimy, kinda like a paste, really soft - It Crunches you pulled it and it just kept stretching! it just wouldn't stop stretching, remember, Atef? it also had a thread spinner, like a bee stinger the one that used to spin around and around - There's no bee stringer The good old times, the good old people . Things had TASTE, Atef. Quality was there, man. One Schenshizer could unite us all. Those wonderful things of the past are long gone... luckily today, there's CRUNCH. Triangles that crunch filled with chocolate... Hazelnut... Vanilla... Banana. It CRUNCH times!

Credits

Name Company Role
Ali Ali Director
Salma Hamouda J Walter Thompson Cairo Account Director
Farida El Khatib J Walter Thompson Cairo Senior Account Executive
Eslam Hossam J Walter Thompson Cairo senior copy writer
Amr Hadad J Walter Thompson Cairo Associate Creative Director
Mayar Makhlouf J Walter Thompson Cairo AV Producer
Reem Megahed J Walter Thompson Cairo Head of production
Mohamed Hammady J Walter Thompson Cairo Executive Creative Director
Karim Mira LZRD Grading
Hosny Ali The Garage Sound Engineer
Mai Azmy J Walter Thompson Cairo Managing Director
Fadi Fahim light house Executive Producer
Diana George J. Walter Thompson Cairo Senior Planner
Ehab Samir Light House Producer
Jessy Ibrahim Light House Producer
Amr Ashraf J Walter Thompson Cairo post producer
Wael Alaa Composer Composer